By Gillian Jein

Ever in view that people first travelled, towns have constituted very important fabric and literary locations. whereas the town has shaped a key subject matter for students of literary fiction, visitors’ writings at the western urban were just a little overlooked by way of go back and forth stories. although, shuttle writing with its realization to distinction presents a wealthy resource for the research of representational thoughts and strategies in smooth city space.

Beginning on the Crystal Palace in 1851 and finishing up within the skyscrapers of NYC, this booklet analyses the writings of lesser-known in addition to canonical French shuttle writers, together with Paul Morand, Jean-Paul Sartre, Georges Perec and Jean Baudrillard. Tracing the paintings of those writers in London and long island from 1851 to the Nineteen Eighties, it contributes to a physique of labor that analyses shuttle and shuttle writing past the Anglophone context, and engages in questions referring to the French mind's eye of attainable meanings for all times within the sleek urban. one of many relevant tenets of the publication is that, within the approach its areas are deliberate, encountered and represented, town is energetic in formulating identities, whereas the book’s guiding query is how research of French trip writing permits us to discover the multiplicity of city modernities through enticing with the old and cultural modifications inner to ‘the West’.

Bringing jointly the strands of thought, context and poetic research, the e-book treats of trip writing as a spatial perform, person who engages representations of city house in questions of nationality, energy and legibility. during this means, it opens avenues for the exploration of city modernity from a place of alterity, wherein replacement imaginitive geographies of town come into view.

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Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851–1986 (Anthem Studies in Travel) by Gillian Jein


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