By Philip D. Beidler

Beautiful conflict: reports in a Dreadful Fascination is a wide-ranging exploration of armed clash as depicted in artwork that illustrates the consistent presence of conflict in our daily lives. Philip D. Beidler investigates the endless assimilation and pervasive presence of the assumption of warfare in pop culture, the impulses at the back of the making of artwork out of battle, and the never-ending and debatably aimless trajectories of struggle itself.


Beidler’s severe scope spans from Shakespeare’s performs, in the course of the Victorian conflict work of woman Butler, into the post–World battle I writings of F. Scott Fitzgerald and Virginia Woolf, and as much as twenty-first-century motion pictures equivalent to The damage Locker and Extremely Loud and exceedingly Close. As those artworks became ubiquitous in modern tradition, the numerous faces of conflict truly spill over into our paintings and media, and Beidler argues that those portrayals in flip shift the belief of struggle from a savage fact to a concept.


Beautiful War argues that the illustration of warfare within the arts has continually been, and remains to be, an extremely strong strength. Incorporating portray, song, images, literature, and picture, Beidler strains a tense yet primary fact: that conflict has continually supplied a classy suggestion whereas serving ends as a number of and complicated as ideological or geopolitical historical past, public reminiscence, and mass entertainment.

Beautiful War is a daring and bright account of the function of warfare and army clash as a topic of paintings that provides a lot of worth to literary and cultural critics, historians, veterans, scholars of paintings historical past and conversation stories, and people attracted to increasing their figuring out of artwork and media’s effect on modern values and thoughts of the past.

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Beautiful War: Studies in a Dreadful Fascination by Philip D. Beidler

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